V0446. RAOUL JOBIN: Arias from L'Africaine, Roméo, Manon, La Damnation de Faust, Les Contes d'Hoffmann, Hérodiade, Carmen, Werther, Tosca, Lohengrin & Siegfried. (Austria) Preiser 89517, recorded 1947-48. Very long out-of-print, Final Sealed Copy! - 717281895170
“Raoul Jobin, the leading French Canadian tenor of the 1930s and 1940s, studied in his native Québec and then at the Paris Conservatoire, making both his concert and Paris Opéra débuts in 1930. After a spell back in Canada, he returned to the Opéra in 1934 and was a valued member of the company thereafter. He made his Covent Garden début in 1937 and from 1940 to 1950 was regularly engaged at the Metropolitan in New York, also singing with other companies in North and South America. He sang at the Opéra-Comique from 1946. Although he was best known in the French repertoire, Jobin also appeared with success in Italian rôles and the lighter Wagnerian parts. He taught singing in Montréal from 1957 and made his final stage appearance the following year. His exciting voice can be heard on many recordings.”
- Tully Potter
"Raoul Jobin made his début at the Paris Opéra on 3 July, 1930, as Tybalt in ROMÉO ET JULIETTE. He quickly sang principal tenor rôles at both the Opéra and the Opéra-Comique, as well as in many cities throughout France, Lyons, Toulouse, Bordeaux, Marseilles, etc. He sang mainly the French repertoire, with occasional incursions into the Italian repertoire. With the outbreak of the war, he returned to North America. He made his début at the Metropolitan Opera on 19 February, 1940, as des Grieux in MANON. He remained with the company until 1950, where he sang many rôles alongside such singers as Lily Pons, Bidu Sayao, Licia Albanese, Risë Stevens, under conductors such as Wilfrid Pelletier and Thomas Beecham. He made regular appearances in San Francisco, Chicago, Boston, New Orleans, etc., also appearing in Mexico City, Rio de Janeiro, and Buenos Aires. After WW II, he returned to Paris in 1947, where he successfully sang his first major Wagnerian rôle, Lohengrin, earning him the nickname ‘Monsieur Lohengrin’. He later sang the role of Walther in DIE MEISTERSINGER VON NÜRNBERG with equal success. He also created the rôle of Fabrice Del Dongo in LA CHARTREUSE DE PARME by Henri Sauguet. Subsequently, Jobin divided his time largely between Europe and America, maintaining his high standard in his accustomed rôles while adding new ones, until his retirement from the stage in 1958."
- Z. D. Akron