The Sixteen - Harry Christophers  (Britten)    (Collins Classics 13432)
Item# V0460
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The Sixteen - Harry Christophers  (Britten)    (Collins Classics 13432)
V0460. THE SIXTEEN, HARRY CHRISTOPHERS: Benjamin Britten: The Choral Works, Volume I. (England) Collins Classics 13432, Recorded at St. Michael's, Highgate, 1992. Very long out-of-print, Final Copy! - 5023391134326

CRITIC REVIEW:

“One of the glories of classical music in Britain today lies in its a cappella choral groups, each of which has its own distinct character. I Fagiolini turn their concerts into music theatre, while the Tallis Scholars pride themselves on the austere grandeur of their unaccompanied performances. The USP of the Renaissance-music ensemble Stile Antico lies in the fact that, both onstage and off, they are a democracy with no leader or conductor. If Harry Christophers and his group The Sixteen have a calling card, it is to be found in the unfailing excellence of their singing, and in the steadiness with which they have pursued their particular blend of musics ancient and modern.

They don’t turn tricks on stage, but they’ve found their way to the nation’s heart, as witness the fact that they have become the official Voices of Classic FM, and the choir of choice for the BBC’s Sacred Music TV series. They are associate artists at King's Place in London, and at the Bridgewater Hall in Manchester. Meanwhile, they will be continuing their annual Choral Pilgrimage, giving performances in those parts of the country where classical music doesn’t normally reach.

And it all began by accident. Harry Christophers had been a boy chorister at Canterbury Cathedral, and had read music at Oxford, and was suddenly asked by a friend to put on a concert of his favourite choral music. He got some friends together and formed a group; having sung with the Tallis Scholars and got the bug for Tudor music, he decided that that was the musical direction in which he wanted to go. He’d been working as a professional singer, but realised he didn’t want to do that forever. He’d also seen how popular programmes combining Baroque music and modern works were becoming: the formal creation of The Sixteen from the sixteen singers he’d gathered together for that initial ad hoc purpose was the result.

With the conservatoires pumping out brilliant young singers every year, getting a place in The Sixteen is a rare and coveted honour, and Christophers� recruitment strategy is not what you’d expect. ‘When I do auditions�, he says, ‘character and personality are as important as the voice. You can take it for granted these days that applicants will have a good voice and can sing all the notes, but it’s more about how they get on with the person next to them, and how they gel with the group as a whole. If somebody’s ill, I’m very particular about who the replacement should be�.

He applies these principles to the training he also supervises on The Sixteen’s Genesis programme, through which young singers fresh out of conservatoire learn the tricks of the trade. � All new members sing a piece to me, and the first thing I say is: ‘Don’t sing in the way you think I want to hear � be yourself, sing as naturally as you speak�.�

- THE INDEPENDENT, 4 June, 2019