P0500. BRUNO HOFFMANN (Glass Harp): Adagio in C, K.356 (Mozart), 2s.
12” silver DG Archiv Produktion Variable Micrograde 6002, POM-26 June, 1951.
M-A, as New. MB 15
P0501. BRUNO HOFFMANN (Glass Harp): Sonatas Nos.5 & 8 (Naumann), 2s.
12” silver DG Archiv Produktion Variable Micrograde 6003, POM-26 June, 1951.
M-A, as New. MB 15
P0502. BRUNO HOFFMANN (Glass Harp): Fantasie für Glasharmonika
(Tomaschek), 2s. 12” silver DG Archiv Produktion Variable Micrograde 6004,
POM-26 June, 1951. M-A, as New. MB 15
P0503. MAX ZIMOLONG, w.Böhm Cond.: Horn Concerto #3 in E-flat, K.447
(Mozart), 4s. 2-12” Electrola DB 5628/29, POM-1940. M-A MB 20, the Pair.
P0504. PIERRE VIGNAL (Trumpet), Freichefille, etc.: Septet in E-flat major, op. 65 (Saint-Saëns), 4s. 2-red Decca-Odeon 25463/64 [xxP6589/92], POM-2 Feb., 1928.
M-A MB 15, the Pair
P0505. ARTHUR FIEDLER Cond. Boston ‘Pops’ Orch.: The toy trumpet (Scott) / Pavanne (Morton Gould). 10” RCA 4456, POM-29 June, 1939. A to M-A MB 10
P0506. SIGURD M. RASCHER (Saxophone): Saxo-Rhapsody (Eric Coates,
played by the work’s dedicatée; Cond.by the Composer), 2s.
12” black PW V 36375 [2EA 4617-2/18-2], POM-15 Jan., 1937.
M-A, a gleaming copy. MB 10
P0507. MARCEL MULE (Saxophone), w. Romby, Charron, Chauvet:
Introduction et variations sur une ronde populaire (Pierné), 2s.
12” plum PW Disque Gram.L-1033 [2LA2135-3/2136-1], only form of issue,18 Oct., 1937. A-, fine copy has various lt.scrs & rubs, only occasionally audible. MB 10
P0508. RENÉ LE ROY (Flute): Danse de la Chevre
(for Solo Flute) (Honegger; Played by the dedicatée)/
RENÉ LE ROY & KATHLEEN LONG: Sonata #3 in E-flat for Flute & Piano (Bach).
12” Columbia/National Gramophonic Society NGS-136, only form of issue, 1927.
M-A, choice copy; Sd.2 only has few infinitessimal dust scrs, positively inaud. MB 12
P0509. RENÉ LE ROY & ANDRÉ MUSSET, w.Claude Crussard (Pf.) (Ars Rediviva): Sonata in G for Two Flutes & Piano (Bach), 4s. 2-10” Boite à Musique 11 & 12,
only form of issue, 1947. [Ars Rediviva was established in 1935 and existed until 1947, when its members were killed in a plane crash.] M-A MB 20, the Pair.
P0510. RENÉ LE ROY & YELLA PESSL: Sonata in D for Flute & Harpsichord
(Vinci), 2s. 12” V 18086, POM- 22 Feb., 1939. M-A MB 8
P0511. RENÉ LE ROY & LILY LASKINE, w.Beecham Cond.Royal Phil.:
Flute & Harp Concerto in C, K.299 (Mozart), 6s. 3-12” RCA 12-0806/08,
POM-1947, in Orig.Album DM 1292. M-A, as New. MB 15, the Set
P0512. QUINTETTE INSTRUMENTALE DE PARIS (Pierre Jamet, René Leroy,
René Bas, Pierre Grout & Roger Boulmé): Sonata for Flute and Strings (Scarlatti), 4s. 2-10” PW plum Disque Gram. K 5920/21. M-A MB 15, the Pair.
P0513. QUINTETTE INSTRUMENTALE DE PARIS
(Pierre Jamet, René Leroy, René Bas, Pierre Grout & Roger Boulmé):
Suite for Flute, Harp and Strings, Op.91 (d’Indy), 4s. 2-12” PW V 11668/69.
[CREATOR recording, premiered in 1928 by the group shortly before
the date of this recording.] M-A, as New. MB 15, the Pair.
P0514. GEORGES BARRERE (Flute): ORFEO - Dance of the blessed spirits (Gluck) /
L'ARLESIENNE - Suite #2 - Minuet (Bizet). 10" blue Col.A1449.
M-A, an extraordinary copy. MB 15
P0515. GEORGES BARRERE (Flute), w.Barrère Ensemble: Sérénade (Pierné) /
Quartet, Op.3, #5 – Serenade (Hofstetter, att. Haydn).
10" blue Col. A1785, POM-10 June / 22 May, 1915.
A to M-A, superb copy has, very end Sd.2, infinitessimal scr, inaud. MB 15
P0516. GEORGES BARRERE (Flute), w.Barrère Ensemble: Fiesque - Aubade #1 (Lalo) / La Feria – La Reja (Lacome). 10" blue Col. A2074, POM-30 June / 1 July, 1916.
B, decent copy has lt. rubs & scrs. MB 8
P0517. GEORGES BARRERE (Flute), w.Barrère Ensemble: Canzonetta (d'Ambrosio) /
A Day in Venice - The Gondoliers (Nevin). 10" blue Col. A1813, POM-31 July, 1915.
M-A MB 15
P0518. GEORGES BARRERE (Flute), w.Barrère Ensemble: Sérénade Badine (Marie) / Salut d’amour (Elgar). 10" blue Col. A1839, POM-30 July, 1915.
M-A, superb copy has, Sd.2 only, few faintest rubs, inaud. MB 15
P0519. GEORGES BARRERE (Flute), w.Carlos Salzédo (Harp) & Horace Britt (Cello): La Cupis / Tambourins (both Rameau). 10" PW V 1976, only form of issue, 24 May, 1937. M-A MB 15
P0520. GEORGES BARRERE (Flute), w.Yella Pessl (Harpsichord): Sonata #1 in b; Sonata #2 in E-flat; Sonata #4 in C (all Bach), 8s. 4-12” PW V 14617/20,
POM-16 June, 1937, in Orig. Album M-406, w.Brochure. M-A MB 20, the Set.
P0521. BARRERE ENSEMBLE OF WOODWINDS (Georges Barrère,
Fred van Amburgh, Carlos Mullenix & Angel del Busto):
Three Pieces For Flute, Clarinet and Bassoon (Walter Piston), 2s. 12” black PW
New Music Quarterly, Vol. II, #5 (1113), POM-1935. [While in the orchestra of the Société Nationale de Musique in 1894 which premiered Debussy’s PRÉLUDE À L'APRÈS-MIDI D'UN FAUNE, Barrére was chosen to to play the opening notes on solo flute, one of the most momentous occasions in music of the turn of the 20th century, ushering in a whole new harmonic language.]
A-, very decent copy has rubs & a few superficial scrs, inaud. MB 12
P0522. ARTHUR BROOKE (Flute): Tourbillon, #3 (The Whirlwind) (Krantz) /
WILLIAM GRUNER (Bassoon): Hungarian Fantasy – Andante & Rondo (von Weber). 10” black V 18684, POM-12 March, 1917 / 24 June, 1920. [Brooke was Flautist with the Boston Symphony at the time of this recording. William Gruner was Bassoonist with the Philadelphia Orchestra, 1906-17, and again 1929-51.] M-A, appears unplayed. MB 12
P0523. PIERRE RUYSSEN (Trois flutes soli): Suite a tre flauti (18th Century), 2s.
10”purple L’Oiseau-Lyre OL.127, only form of issue, 1 June, 1939. M-A MB 10
P0524. MOYSE, GODEAU, DHERIN, PLARD, FOVEAU, VIGNAL,
LAFOSSE & DELBOS: Octet for Wind Instruments (Stravinsky), 4s.
[This Octet has been generally regarded as the beginning of neoclassicism in Stravinsky's music.] 2-12” early PW Col. 68203/04-D,
POM-7 May, 1932, on blue shellac. M-A, as New. MB 12
P0525. TRIO MOYSE (Blanche Honegger, Marcel & Louis Moyse):
Flute Sonata in G (Bach),2s. 12” LVSM DB 5076, POM-21 July, 1947.
M-A, pristine copy has, Sd.1 only, infinitessimal pap.scr, positively inaud. MB 15
P0526. GUSTAV SCHECK (Flute): Flute Sonata in a, BWV 1013 (Bach), 2s.
12” silver DG Archiv Produktion Variable Micrograde 2416, POM-16 May, 1951.
M-A, as New. MB 15
P0527. GUSTAV SCHECK, AUGUST WENZINGER & FRITZ NEUMEYER:
Sonata for Flute & Continuo #48 in e (Friedrich der Grosse), 2s.
12” silver DG Archiv Produktion Variable Micrograde 4406, POM-30 July, 1951.
M-A, as New. MB 15
P0528. AUGUST WENZINGER Cond. Kammermusikkreis Scheck-Wenzinger:
Overture-Suite in C (Erlebach), 2s. 12” plum PW HMV EH 1221,
POM-1 Oct., 1938. M-A MB 8
P0530. JEAN DEVEMY (French Horn), w.Albert Wolff Cond.Lamoureux Orch.:
Romance in F, Op.36 (Saint-Saëns) / ALBERT WOLFF Cond.: SOROCHINTSY FAIR – Gopak (Moussorgsky); TSAR SALTAN – Flight of the bumble-bee (Rimsky-Korsakov). 12” black PW French Polydor 66968, POM-1929.
M-A, gleaming copy has faintest ‘pressure’ mks, barely visible & inaud. MB 12
P0531. VIENNA PHILHARMONIC WIND QUARTET (Josef Niedermayr, Leopold Wlach, Gottfried von Freiburg, Karl Öhlberger): Quartet #1 in F - Finale (Rossini), 4s.
2-10" LVDP DA 4483/84, POM-17 April 1940. M-A, a choice copy. MB 45, the Pair.
P0532. LEON GOOSSENS (Oboe), w.International String Quartet
(André Mangeot, Boris Pecker, Frank Howard & Herbert Withers):
Quintet for Oboe & Strings (Bax; Played by the dedicatée).
2–12” Columbia/National Gramophonic Society NGS-76/77,
only form of issue, 1927. M-A, as New. MB 20, the Pair
P0533. LEON GOOSSENS (Oboe), w.Süsskind Cond.Philharmonia Orch.:
Oboe Concerto in c (Cimarosa), 3s. / Sd.4 = LEON GOOSSENS,
w.Sargent Cond. Liverpool Phil.: Easter Oratorio - Sinfonia (Bach).
2-12” Australian Col. 742/43, POM-26 Feb., 1946 / 25 Oct., 1943.
M-A, lovely copy of preferred Australian pressing;
Sd.2 only has lt.rubs, inaud. MB 15, the Pair.
P0534. LEON GOOSSENS (Oboe), w.Süsskind Cond. Philharmonia Orch.:
Oboe Concerto in One Movement (Played by the Composer), 4s.
2-12” Eng. Col. DX 1578/79, POM-26 April, 1948. M-A, as New. MB 15, the Pair.
P0535. LEON GOOSSENS (Oboe), w.Galliera Cond.Philharmonia Orch.: Oboe Concerto in D (Strauss), 6s. 3-12” Eng. Col. DX 8301/03, POM-15 Sept., 1947. [Since this recording was made prior to publication of the score, it is the only recording of the original Strauss manuscript!] M-A. as New. MB 20, the Trio.
P0536. LEON GOOSSENS (Oboe), w.Gerald Moore (Pf.):
Three Romances, Op.94 (Schumann); Pièce (Franck), 4s.
2-12” PW Col. 69816/17-D, POM-1939, in Orig. Album X 160, w.Brochure.
M-A, as New. MB15, the Set.
P0537. LEON GOOSSENS (Oboe), w.Eugene Goossens Cond. London Phil.:
Oboe Concerto #1 in B-flat (Handel), 2s. 12” PW V 12605, POM-2 Sept., 1937.
M-A, as New. MB 12
P0538. LEON GOOSSENS (Oboe), w.Süsskind Cond.Philharmonia Orch.:
Oboe Concerto in c (Marcello), 3s. / Sd.4 = LEON GOOSSENS,
w.Gerald Moore (Pf.).: Arioso (Fiocca). 2-12” Eng. Col. DX 1389/90,
POM-22 April, 1947. M-A, as New. MB 15, the Pair.
P0539. LEON GOOSSENS (Oboe), w.Léner String Quartet (Léner, Roth & Hartman): Quartet in F, K.370 (Mozart), 4s. 2-12” MasterWorks Col. 68157/58-D,
POM-1 March, 1933, in Orig. Album X 21, w.Brochure. M-A, as New. MB20, the Set.
P0540. LOS ANGELES WIND QUINTET
(Haaken Bergh, Gordon Pope, D. H. McKenney, Don Christlieb & Jack Cave):
Kleine Kammermusik (Hindemith), 4s. 2-10” PW Col.17169/70-D [AM 650/653],
in Orig.Album X 149, w.Brochure. M-A, as New. MB 20
P0541. NEW PIPERS’ GUILD QUINTET: Suite for Pipes (Vaughan Williams), 2s.
12” Eng.Col. DX 1345, POM-7 Jan., 1947. [The Guild was founded in Britain in 1932.
Its main aim is the threefold craft of making, playing and decorating bamboo pipes. Pipes are made for personal use, and are not sold - i.e. if you want to play one, you'll have to make one!] M-A, as New. MB 8
P0542. VACLAV SMETACEK (Oboe), Jindřich Bubeníček Cond. Prague S.O.:
Oboe Concerto in c, Op. 52,– Adagio (Kramář) / CZECH PHIL. QUINTET:
Quintet in E-flat, Op.88, #2 – Adagio (Reicha). 12” black Supraphon 13032 [044616/042311], POM-1948. M-A, as New. MB 15